Thursday, December 26, 2019

Wilma Rudolph Quotes

The fastest woman in the world at the 1960 Olympics where she won three gold medals, Wilma Rudolph wore metal braces on her legs as a child. Known for her dignity and grace, Wilma Rudolph died of brain cancer in 1994. Selected Wilma Rudolph Quotations †¢ Never underestimate the power of dreams and the influence of the human spirit. We are all the same in this notion. The potential for greatness lives within each of us. †¢ My doctors told me I would never walk again. My mother told me I would. I believed my mother. †¢ The triumph cant be had without the struggle. And I know what struggle is. I have spent a lifetime trying to share what it has meant to be a woman first in the world of sports so that other young women have a chance to reach their dreams. †¢ I dont consciously try to be a role model, so I dont know if I am or not. Thats for other people to decide. †¢ I tell them that the most important aspect is to be yourself and have confidence in yourself. I remind them the triumph cant be had without the struggle. †¢ No matter what accomplishments you make, somebody helps you. †¢ I thought Id never get to see that. Florence Griffith Joyner -- every time she ran, I ran. †¢ about her leg braces: I spent most of my time trying to figure out how to get them off. But when you come from a large, wonderful family, theres always a way to achieve your goals. †¢ I walked with braces until I was at least nine years old. My life wasnt like the average person who grew up and decided to enter the world of sports. †¢ My mother taught me very early to believe I could achieve any accomplishment I wanted to. The first was to walk without braces. †¢ I ran and ran and ran every day, and I acquired this sense of determination, this sense of spirit that I would never, never give up, no matter what else happened. †¢ By the time I was 12 I was challenging every boy in our neighborhood at running, jumping, everything. †¢ The feeling of accomplishment welled up inside of me, three Olympic gold medals. I knew that was something nobody could ever take away from me, ever. †¢ When I was going through my transition of being famous, I tried to ask God why was I here? what was my purpose? Surely, it wasnt just to win three gold medals. There has to be more to this life than that. †¢ What do you do after you are world famous and nineteen or twenty and you have sat with prime ministers, kings and queens, the Pope? Do you go back home and take a job? What do you do to keep your sanity? You come back to the real world. †¢ When the sun is shining I can do anything; no mountain is too high, no trouble too difficult. †¢ I believe in me more than anything in this world. Related Resources for Wilma Rudolph Women in Track and FieldWomen in the Olympics Explore Womens Voices and Womens History Womens Voices - About Womens QuotesPrimary SourcesBiographiesToday in Womens HistoryWomens History Home About These Quotes Quote collection assembled by Jone Johnson Lewis. Each quotation page in this collection and the entire collection  © Jone Johnson Lewis 1997-2005. This is an informal collection assembled over many years. I regret that I am not be able to provide the original source if it is not listed with the quote. Citation information:Jone Johnson Lewis. Wilma Rudolph Quotes. About Womens History. URL: http://womenshistory.about.com/od/quotes/wilma_rudolph.htm . Date accessed: (today). (More on how to cite online sources including this page)

Wednesday, December 18, 2019

Little Portugal Fills Big Shoes Essay - 1728 Words

Lying west of Spain and East of the North Atlantic Ocean is a small country no bigger than the state of Indiana (World Factbook). Portugal, this mistakenly insignificant land, quickly made an impression on European exploration beginning in the early thirteenth century. It was not long before neighboring areas looked to this successful country for tactics concerning discovery. But exactly how did this small piece of land with few inhabitants manage to stand above its competition for quite some time? Portuguese motives, leaders, tactics, and innovations must be further examined in order to fully comprehend just how the Portuguese dominated early trade and exploration. Due to these three aspects, Portugal became the country that all†¦show more content†¦Beginning with Prince Henry, the Portuguese were led by men with high hopes. With a school established at Cape St. Vincent, Prince Henry educated many on aspects concerning his goal, successful exploration (Sterling 2). Kno wn as the Navigator, Prince Henry, disregarded the previous Ptolemaic beliefs and strived to reach lands that nobody else thought existed (Hale 102). He was the first to send men on voyages down the West African Coast, and gold and slaves were the outcome of his courageous move. The posts that were established as a result of exploration led to the hope for further progress, and Prince Henry’s successful start was only just a glimpse of all that was achieved by those that followed. After the death of Prince Henry, King John II continued the search for new lands; the East African Coast and Indian Ocean were reached when Portuguese mariner, Bartholomeu Diaz, rounded the Cape of Good Hope. Soon after, Prince Henry’s dream to discover a water route to India quickly became a reality when Vasco Da Gama completed a successful round trip. In the Indian port, he was able to interact with the people and set up permanent posts that would become extremely useful. Control rema ined throughout the Indian Ocean due to the commander of Portuguese forces, Afonso D’Alboquerque. He hoped to obtain naval superiority by utilizing strict policy on the waters by forcing allShow MoreRelatedNike Report13324 Words   |  54 Pagesin 2002, whereas spending on non-retro styles fell about 2.0% (Standard Poor’s, 2004). Demand is driven by fashion and demographics. The profitability of individual companies depend on their ability to design and market attractive shoe models. Big companies have economies of scale in distribution and marketing. Small companies can compete successfully through superior design or marketing (Hoovers, 2007). 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Tuesday, December 10, 2019

My Time in Heaven Letter free essay sample

June 20 12 Dear Richard Sigmund, My name is Kimberly Im fifteen years old and I bought your book My Time in Heaven yesterday None 19 12). I got the idea to start reading books about people dying and coming back life after the day that I went to the carnival last week. I went to the carnival with my family and on my way back home we started to talk about how if you play a song backwards you hear another message. Its called backpacking. If you dont know what it meaner Id rather you look it up on Google than me explain it to you because Im not good with explaining. After speaking about that my somewhat nut said that we needed to watch what we listened to because those are devilish songs and if we were to die the next minute or even second we would be sent to hell for listening to the devilish songs. Singers like Beyond, Nick Minas, Drake, and Lady Gaga all have those subliminal messages in them. Saying to kill and lean on them and saying that they were rich and beautiful because they worship Lucifer. Then my aunt started to say how she saw this video on Youth of this lady that died and came back to life. She was taken to hell to see what it was like and to warn the people up on earth. She said that she had seen the pope, Michael Jackson and Selene (the Spanish singer that died long time ago). Selene had told her that every time they play her songs up on earth, the demons beat her. I got interested all of this. I didnt and dont want to hell. I didnt think that it was that bad. After I heard that people are set on fire and all those things you mentioned in the book I wanted to do all little more research about heaven and hell. I went to Barnes N Noble yesterday and went to the religion section and such a book of books. Out of all the books I saw I only saw two kooks that talk about someone dying, seeing heaven and hell, and coming back to life. Before hearing about all this hell and heaven things that you described in the book, I didnt really care about it. I mean I wanted to go to heaven but didnt think that it was a big deal. I listened to songs that I wasnt supposed to listen to and seen things that I wasnt supposed to look at. The lady that died and came back said that she also saw a little eight year old boy in hell. She asked why he was there and was told that all he did was play video games and never listened to his parents. I realized that sometimes Im like that. My mom tells me to wash the dishes and I grunt or when my dad tells me to go downstairs to do something for him and I complain. I dont want to go to hell for little things like that even though I have to obey my parents in whatever they say. I Just have no patience and I get that from my dad because if one little thing goes wrong he flips out. I hate it. I get mad and Just wished that he would be quiet and leave me alone. I pray to God for forgiveness at the end of the day when I go to sleep but for some reason I always wonder off or I guess dont put enough energy into my prayer that I dont feel like my prayer is coming from my heart. My somewhat uncle died of cancer last month. He was supposed to die three months ago but with all the prayer of the family and all his faith God kept him alive two more months to get him married to his girlfriend that hes had since fifteen. Theyve been together tort a long time way longer than me. He died at the age around in The day before his wedding he ended up in the hospital and the doctors told his sister and parents to call the family because he wasnt going to make it threw the night. After a little prayer Faust (his name) felt better. The cancer had changed his whole body. He was skinnier and looked way older than what he really was. After the two months Faust ended up in the hospital again. The doctors told them to call the family again. My dad, mom, cousin and me went in to see him in the hospital bed. He couldnt close his eyes because his skin was stretched back. We started to pray for him and he had tears in his eyes. We went home an hour later and I went to shower. While I was taking a shower I was praying to God saying that Faust was to young to die and that He was not going to take him away from us. I have tears in my eyes and rolling down my cheek right now. At 12:20 May 27 Faust died. No one could believe it. They then buried him that Friday. I started to ask myself if he was in heaven or not. Everyone said that he was and I believed it to, its Just that heaven is such a big thing that I still Just dont understand I guess. I once in a while talk to him. I dont know if he can hear me but I Just randomly say h. I remember one the day that they buried him, his mom was saying a speech and all the sudden right when she started talking the wind blew very strongly. It was amazing. Like there was no wind and right once she started to talk the wind was blowing and everyone afterwards was saying that hat was Faust. I Just found your book so incredible how God is with his people. What I dont understand is I dont know. I Just feel that God is selfish or not selfish Just someone who wants his way or if he doesnt get his way, he sends you to hell. I know that God isnt mean or a bad guy but hes always saying follow him and worship him and if we dont we go to hell but if we do we get rewarded which is heaven. Its confusing to me. I Just wanted to right this letter to you because it was an inspiration to do good and know how hell really is. Thank you. -Kimberly

Monday, December 2, 2019

The Ride Down Mt. Morgan Essay Example For Students

The Ride Down Mt. Morgan Essay Is Arthur Miller really Americas finest living playwright, as the British like to tag him, or has he been conveniently drafted to serve that necessary function in the ecology of the English theatre? This country, after all, likes nothing better than lionizing American intellectuals and artists who have been either ignored or undervalued at home. Only two years ago, Stephen Sondheim found himself telling an Oxford University audience that he was glad to have worked on Broadway lest the English, in their adoration, hold him hostage forever at the National. Miller, by contrast, unequivocally embraces the worshipful British. We will write a custom essay on The Ride Down Mt. Morgan specifically for you for only $16.38 $13.9/page Order now Its a good thing too, since his new play, The Ride Down Mt. Morgan, now receiving its world premiere production at Wyndhams Theatre, is going to need all the good will that the British   or anyone else   can bring to it.Miller has been working on this play for most of the past decade and claimed to have found the ideal colaborator for it last season when director Michael Blakemore staged the belated London premiere of After the Fall at the National. Add in a producer, Robert Fox, and a star, Tom Conti, who are among the West Ends savvier participants, and the ingredients couldnt seem surer for success. The one thing no one apparently paused to assess was the fundamental illogic and wrongheadedness of the play itself.Mt. Morgan takes place in an upstate New York hospital, and the curtain rises on a bedridden Conti, his torso and arm in a plaster cast, looking as waylaid as he did on Broadway in his star-making performance in Whose Life Is It, Anyway? But this play, unlike its predecessor, doesnt keep Conti in bed for long. As Lyman Felt, the actor is soon rising to enact flasbacks and fantasy sequences that shift the time and place of the action and bring on such characters as Lymans lawyer friend-and-confidant and his shroud-bearing pickle-salesman father. Badly injured after a car accident on a mountain, Lyman learns to his distress that his hospitalization has brought together for the first time in nine years of bigamy his two wives: the older Theo (Gemma Jones) and the 30-ish Leah (Clare Higgins). What ensues begins as a comedy of morality and quickly collapses into an agonized sermon. Im miserable, lost, condemned, Lyman wails into the void, finally left with no one but the nurse (Marsha Hunt) for comfort. He cleverly leaves out the self-assessment which most audiences will all too happily make for him   Lyman Felt is an unabashed shit. I have to consent to Lyman and to condemn him, Miller told interviewer Melvyn Bragg in a TV special aired shortly after the Oct. 31 opening. But the condemnation barely exists. To be sure, each of the wives gets a you are monstrous diatribe, but they are hard to take seriously coming from such outright types. Theo is the repressed ministerss daughter, the high-minded gentile acted by Jones on a sustained note of shrillness; Leah, the libidinous Jew, is appealing in Higginss capable hands though no less a cliche. Its interesting to note that the casting fudges a potential source of odium: If, as the script indicates, there really is a two-decade age difference between Lyman and Leah, then the latter would be about the same age as his daughter by Theo, a parallel which makes his midlife lust seem particularly suspect. But Miller is far too interested in exonerating Lyman ever to put him on the rack.Director Blakemore has repeatedly shown a sympathetic deftness with new scripts that eludes him here. Perhaps the problem is just that Mt. Morgan has its sympathies wrong from the start. You dont have to love a plays central character for a play to work, but if youre going to make him so unpleasant, its best not to try and play the apologist, as well.No one could ever accuse David Hare of apologizing for his characters. .u9724c22f0ba847ed3b0603354e4d62fa , .u9724c22f0ba847ed3b0603354e4d62fa .postImageUrl , .u9724c22f0ba847ed3b0603354e4d62fa .centered-text-area { min-height: 80px; position: relative; } .u9724c22f0ba847ed3b0603354e4d62fa , .u9724c22f0ba847ed3b0603354e4d62fa:hover , .u9724c22f0ba847ed3b0603354e4d62fa:visited , .u9724c22f0ba847ed3b0603354e4d62fa:active { border:0!important; } .u9724c22f0ba847ed3b0603354e4d62fa .clearfix:after { content: ""; display: table; clear: both; } .u9724c22f0ba847ed3b0603354e4d62fa { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9724c22f0ba847ed3b0603354e4d62fa:active , .u9724c22f0ba847ed3b0603354e4d62fa:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9724c22f0ba847ed3b0603354e4d62fa .centered-text-area { width: 100%; position: relative ; } .u9724c22f0ba847ed3b0603354e4d62fa .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9724c22f0ba847ed3b0603354e4d62fa .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9724c22f0ba847ed3b0603354e4d62fa .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9724c22f0ba847ed3b0603354e4d62fa:hover .ctaButton { background-color: #34495E!important; } .u9724c22f0ba847ed3b0603354e4d62fa .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9724c22f0ba847ed3b0603354e4d62fa .u9724c22f0ba847ed3b0603354e4d62fa-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9724c22f0ba847ed3b0603354e4d62fa:after { content: ""; display: block; clear: both; } READ: Greek Theater Essay This one playwright who loves figures of Good and Evil writ large, and it was the great achievement of The Secret Rapture in London to be that rare play to make Good the more dramatically provocative abstraction. Hares 1990 Racing Demon accomplished even more, using four South London clergymen as a prism through which to filter the most stirring state-of-the-nation piece Britain has seen in an age. Hares new play at the National, Murmuring Judges, continues the inquiry Racing Demon began its the second in a planned trilogy about British institutions   but this time the debate restricts rather than opens out. Billed as a work about the clergy, Racing Demon was much more than that; Murmuring Judges, though, really is just what the blurb on it says: a play about the law, no more, no less. Hare has certainly done his homework, and the work of his researchers (two receive credit in the program) is amply evident. Characters are forever spouting statistics theyd be unlikely to possess in real life, and declaiming position papers rather than holding conversations. By the end, one wonders whether the National bookstore should bother to stock the text or, instead, opt for a point-by-point agenda entitled Murmuring Judges: The Pamphlet. American theatregoers weary of the absence of politics in homegrown plays will have a field day here. In Hares legal world, all anyone does is opine; gone are the private lives that gave Racing Demon its troubling and heartbreaking pulse.The plot centers on Irina Platt (Alphonsia Emmanue), a black barrister   Antiguan by birth   defending a young Irishman wrongly imprisoned on a trumped-up bank-raid charge. Irinas soulmate is a white policewoman (Lesley Sharp) who similarlylearns that the system stinks. The play moves from Londons inns of court to the Royal Opera House, from a police station to a prison cell, and director Richard Eyre and designer Bob Crowley triumphantly orchestrate its cinematic sweep. The first act brings the disparate locales thunderingly together to the musical accompaniment of The Magic Flute   a staging coup of which both men should be proud.The actors tend to be better the smaller (and therefore less sententious) their roles, and its disconcerting to hear one character poke fun at Sally Field-style heroics when those describe precisely the actions of the two main women. Hare being Hare, Murmuring Judges has its share of bite: Theres a great what England does well Hare-angue, yoking a national facility for cream teas to a penchant for sending people to jail. But its the production, not the play, the warrants attention, as Eyre and Crowley steam confidently ahead long after the writing has run out of wind.